Showing posts with label mall galleries. Show all posts
Showing posts with label mall galleries. Show all posts

Wednesday, April 19, 2017

Can I remember...?

Red boots
12" x 9"

Just wondered if I can even remember how to post to my blog, it's been so long. But of course you may not be on Instagram every day like I am so... hello again!

Since I spoke to you last in November I've been elected a full member of the Royal Institute of Oil painters - that's a VERY special achievement for me, and you can read more about the Royal Institute of Oil painters here :-)

That means that over here in the UK I shall now be known as Haidee-Jo Summers ROI, proudly sporting those letters at the end of my name. Now I'll just leave you wondering why the letters for membership of the Royal Institute of Oil painters are ROI and not RIO... meanwhile I need to order some new business cards...







Saturday, November 19, 2016

Allotment hens

Allotment hens

Here's a change, not a November painting of the allotments but one of my very favourite paintings from late spring. Quite a difference looking at those fresh spring greens now. I had a fantastic session painting this one, I was so happy there with the hens in the sunshine listening to the radio and summer stretching out before us.

Rather a special one this, and so I saved it for the Royal Institute of Oil painters exhibition. It's one of three that I'll have on show with the ROI at the Mall Galleries. The exhibition is open from the 30th November to the 11th December and I will be painting in the gallery on the 2nd December. I'd love to see you there :-)







Thursday, September 29, 2016

Royal Society of Marine Artists exhibition 2016


Top two works by Peter Wileman
Mine are underneath

I had a great day in London yesterday at the preview of the Royal Society of Marine Artists annual exhibition. It's always a show that I enjoy and this year is the society's 50th anniversary of royal status so the RSMA have taken all three gallery spaces at the Mall Galleries.

Although there is a wide variety of painting styles and mediums to be seen here all the works are unified by a marine theme. I feel extremely fortunate to have been able to exhibit work with the RSMA for the last four years and I love to come to the preview day and catch up with many painting friends. 

This year the Mall Galleries have chosen my painting of the fishermens shelter in Portscatho to produce as a greetings card which is now available from the Mall Galleries bookshop. It makes a very sweet little square card!

I also couldn't resist buying this oil painting of children crabbing at Walberswick by Raymond Leech. I'm really looking forward to being able to enjoy it every day at home.

If you can get to London before the exhibition closes on the 8th October I would urge you to go and see the show for yourself. There are various artists demonstrating in the galleries throughout the exhibition.

If you can't get to London you can see (and indeed purchase) many of the paintings in the exhibition here.



Fishermens shelter








Redwings at Looe




Front of card



Back of card



Crabbers at work, Walberswick
by Raymond Leech





Wednesday, December 23, 2015

Fantastic news!

ROI catalogue 1997 

I have had the most wonderful news to end the year with. Last week the Royal Institute of Oil painters elected me an Associate member! It is hard for me to describe to you how much this means to me but if I tell you that membership of this prestigious society has been my biggest and longest held ambition (for the last 20 years) you may begin to get the idea!

The society hold an annual open exhibition at the Mall Galleries in London with a part of the show consisting of non member work which has made it through the competitive and rigorous selection procedure. In order to be even considered for membership you have to consistently have work accepted and hung in the annual exhibition year after year - which is tough enough!

I first had work accepted with the ROI in 1997, when I won a Young Artists Award.  My prize was £500 worth of Winsor & Newton materials, and a tour of the W & N manufacturing plant. It was my first major prize, and the year after I was awarded another Young Artists Award at the annual exhibition - so I had an early taste of success! 

Since then I have developed a hard work ethic, and buckets full of persistence. There have been years when I missed the annual deadline - when moving house or having my hands full with a new baby for example, but I never stopped thinking of the ROI and entered whenever I could. 

At the end of 2010 we were busy packing up ready to move to France and in 2011 living on the island of BrĂ©hat so I missed the ROI exhibition during those two years. When I returned to the UK after the year away I had gained a much clearer perspective on what I wanted to achieve with my work and also what I had missed while being away from the UK. I determined to never miss the annual ROI exhibition deadline again, no matter what. I developed strategies for keeping good work back throughout the year so that I would be ready for submission and prioritising the important dates for the exhibition in my diary. 

The planning ahead paid off and I was extremely fortunate to have work accepted in 2012, 2013, 2014 and 2015 and now have been rewarded for my perseverance and am very happy. I am looking forward to getting involved in the activities of the society and hope to prove myself worthy of being elected a full member in the not too distant future. For now I can proudly use the initials AROI after my name!


With Adebanji in September at A Brush with the Broads

It was a special double celebration as my friend Adebanji was promoted from Associate to full member of the ROI. Many congratulations Adebanji Alade ROI!

Read more about the Royal Institute of Oil painters here :-)

Friday, December 11, 2015

Snowy new homes


First snow,  Drove allotments

These favourite snow scenes of mine, painted this year, have all sold in the last month and are heading off to their new homes. It's so rewarding every time my passion for painting the gorgeous snowy domestic subjects is deeply loved and appreciated by somebody else.

'First snow, Drove allotments' is a complete favourite of mine. Painted entirely en plein air I haven't had a single day since where I have been quite as euphoric painting as I was on that day. Such excitement, to be at the allotments with snow. Simple pleasures eh?

This painting also felt like real progress to me, in the manner in which it was painted. It was as though I'd passed another level or grade in my pursuit of simplification.
It goes to join another of my snow scenes from the previous winter at it's lovely new home.


Treading softly

 What can I say about 'Treading softly'? Well this photo doesn't do it justice at all. It marks another huge turning point in the development of my work and I was almost holding my breath all the while I was painting it. I was desperate to communicate that delicate softness of the icy early winter morning when your breath hangs in the air as if frozen and shapes are emerging and hidden by the morning mist. I have a tendency to be heavy handed and knew that with this one I had to approach it so delicately and softly and not like a bull in a china shop! That's why I was holding my breath the whole while!
The abstracted shapes and colour combinations within this painting do take my breath away, and I actually feel cold coming off the painting when I stand in front of it. I'm also very proud of this one and happy that it has gone to a very good home.


Out of the woods

'Out of the woods' is a good example of the less is more and get it down quick tactic. It's a much smaller painting than the others here and it's that end of the winters day, do I have it in me to stay out for one more hour? Oh my gosh look at those long shadows and the sun going down behind the trees. Yes. I. Do.


The thaw, Drove allotments

Aww 'the thaw'. Well this one is the largest snow painting yet and I passionately love it also. It's a bittersweet emotion because the snow is melting and my time to paint it is running out fast but what an exciting contrast to try to capture! The warm sunlight, the cool shadows on the snow and that really fresh green of the sodden grass emerging from it's cold cloak. Added to which the structure of the sheds, the opportunity for little abstract passages. Bliss. And strong tonal contrasts which meant that for this one I could be just as gung ho as I wanted! This one is like the 'yang' if 'Treading softly' is the yin.

'The thaw' is currently on display in the Royal Institute of Oil painters annual exhibition at the Mall Galleries in London. Do go in and see an amazing show if you can but be quick, it ends at 1.00pm on Sunday 13th December.






Tuesday, October 13, 2015

Royal Society of Marine Artists exhibition

Evening light, Polperro harbour

For me when autumn comes around I know it's the time of year for lovely gallery visits to London to begin. 
Firstly it's the Royal Society of Marine Artists exhibition which starts with the Friends evening on Monday and then the preview today. The exhibition opens at the Mall Galleries to the public tomorrow (Wednesday 14th October) and continues until the 25th October, on which day it closes at 1.00pm. I hope you can make it. If you love marine paintings you really should try to get there.

I'm extremely grateful to have had two works accepted again in this prestigious and inspirational annual show.

Nothing beats seeing the stunning work in this exhibition with your own eyes but you can get a taster by seeing works in the exhibition online here.


Morning light, Guernsey

Thursday, January 29, 2015

My annual review 2014 - October to December



City fish

Finally here I am with part four of my annual review so you might want to make yourself a cup of tea before you settle down to read it, it's a long one. Pleased to say I'm feeling well again, hurrah!

After 'A brush with the broads' I was quite soon back down to Norfolk to take part in Paint Out Norwich, a selected plein air event involving around 30 artists chosen from an open entry. Again this was another brand new UK plein air event so I was very excited to be taking part. I also had a role to play helping my injured artist friend Mo Teeuw to get around as she was unable to drive at the time and painting from a wheelchair! Luckily the event organisers were fantastic - helpful, enthusiastic and fun. 
I hadn't been to Norwich since I was a child and I didn't remember anything, so I was happy to go to any spot allocated to me. We had four three hour painting sessions in different parts of Norwich over two intensive days. In between times we framed the wet paintings and grabbed a bite to eat, and enjoyed jolly get-togethers in the evening.


Pulls ferry, Norwich
The painting 'City fish' was painted in Norwich market on a very cold morning, and I had lots of interest and chat with passers-by. As soon as I saw the old man with the flat cap I had to draw him in quickly (with the brush). I think he makes the painting really!

Pulls ferry is a much painted local landmark and when I was on my way there somebody told me 'there's a choice of only two views (to paint) there'. Really? There are millions of views everywhere in my opinion, so I set off determined to choose a personal viewpoint for the painting. In the end I settled on this reflection, as I loved the glowing brightness of the distant trees through the archway, and all the leaves littered all over the water and pathway like confetti.


Work to be done,  Elm Hill
First prize winner, Paint Out Norwich
Private collection

Another picturesque corner of Norwich is Elm Hill. I had seen a photo beforehand and was really looking forward to painting there. When I arrived I was surprised and initially disappointed to see the scaffolding covering the left hand side building and crossing the narrow street in front of me. At times the sun broke through the clouds and the plane tree cast wonderful shadows on the yellow building, which I liked very much. Then I decided to paint the scene scaffolding and all, as I do enjoy a chance to show the signs of modern life and plus, can't resist the red (road signs).
The lady in the cafe opposite loved it. She said she'd seen many pretty paintings of it, but that mine captured Elm Hill as it really is - her everyday view. So that was encouraging!

Apparently the judges (the artists Trevor Chamberlain ROI RSMA and Colin Self, and curator Amanda Geitner) loved it too, as my painting of Elm Hill won the £1000 first prize in the first ever Paint Out Norwich!
No I really couldn't believe I was winning another prize - absolutely amazing. 
And I was so happy for my friend Roy Connelly too - see picture below!


With prizewinners Roy Connelly and Chris Daynes ROI
Paint Out Norwich
I drove home in the middle of the night on a complete high and in a bit of a daze! I got home and crawled into bed at 3am. When I got up that morning I had to empty the car and unpack, and then pack for France and reload the car, as we were leaving for a week in France just a few hours later. There are sometimes drawbacks to fitting it all in the way I do!

Another fantastic trip was my time in Venice with artist friends Penny German, Felicity House and Wyllis Heaton. We also met with Ann Justin, Kelly Medford and Louisa Calder. So much fun to have company to paint with and spend the evening with. The extra good news is I don't have to wait too long for my next Venice trip, as I've decided to go again this year. 

The weather was absolutely ideal for painting, no fog or cold for me this time! We did have one day of rain, but there are plenty of places to shelter and continue painting in Venice.


Shadows in Campo S Giovanni e Paolo


The artist Felicity House

I love this one of Felicity working on the steps to a bridge. You can feel the heat in the sunshine, just look at that clear blue sky! People were most amused to see that I was painting the artist painting. I love the wonky shopping trolley too. This could translate well into a studio painting couldn't it?



Painting in Venice



Rising shadows at the Ospedale
Private collection

Some of my paintings from Venice are available to buy direct from my studio. If you'd like to take a look you can find them here.



Washing day, Venice


In usual style I arrived home from Venice in the early hours of the morning for a few hours of sleep before attending my own exhibition preview!
While I'd been away the brilliant folk at Patchings Art Centre had hung the exhibition and it all looked beautiful. I liked to see the title of my exhibition here at the bottom of the stairs, doesn't that look nice?


Opening day of my exhibition


A breath of fresh air exhibition
Patchings art centre
During the exhibition I went in to the gallery for some painting days, a couple of which were portraits from life. Here I am painting my mum for one of the demos. She has her feet raised on a box because she's only little, like me!


Painting my mum in the middle of my exhibition at Patchings



Portrait of my mum

In December I had several trips to London to see the Royal Institute of Oil painters exhibition at the Mall Galleries in London. I was exhibiting this painting there, which was painted en plein air in August on the island of BrĂ©hat. 


Evening at the beach, Bréhat
Private collection


Another event in December was the ROI painting event evening at the gallery. My friend the artist Adebanji Alade was one of the sitters. I had a couple of hours on this and am very pleased with it. It was a really fun evening too.



Portrait of the artist
Adebanji Alade


Lastly in December I got really excited about a local subject, the Christmas market in Lincoln. I painted only one piece while there, but I've been working on a series of paintings in the studio. I'm really enjoying making painterly marks and as always, striving to say more with less.



Mulled wine, hot chocolate


Christmas market, mulled wine stall
Private collection



Christmas market at dusk


Christmas market, snow

I hope you've enjoyed the recap of my year. And now it's almost February, amazing! I have got an absolutely packed year happening, and so much to tell you about! Did you have any new year's resolutions? And how's that going? Mine was to draw every day and so far so good! I've kept that up for the whole of January and am feeling very good about it. I can already see how that regular sketch work is impacting on my painting and providing painting inspiration. I'm focussing on figure and portrait drawing because I want to include more people in my paintings, and possibly also because it's a challenge and a good practice, and endlessly fascinating. I will show you some more on the blog soon, but if you're on Twitter or Instagram check out my account as you can see nearly all the January sketches there. All the best ones anyway, there are a few I won't be sharing! ;-)







Wednesday, December 17, 2014

Sketching the sketcher

Adebanji Alade

Last night was the Royal Institute of Oil painters (ROI) annual painting evening event, when anyone can paint from portrait models alongside many members of the ROI. There is always a great atmosphere of camaraderie amongst the artists taking part. Not to mention the wine and enormous mince pies which provided sustenance throughout the three hour event. 
Thank you to the lovely lady watching who kept getting orange juice for me :-)

And look who my model was this time! My friend and fellow artist Adebanji Alade AROI whose blog will be familiar to many of you. He was very good at sitting still actually, which helps!
I'm really pleased with the looseness of this because I think that a painted face or person should look as though it could move at any second. I also love sketchiness because I like to see evidence of the 'workings out' or the process that the artist has undertaken. And I like illusion of depth balanced with 'look, this is just a painting' brush marks. I suppose that last statement is a strong guiding theme for me. 


Adebanji modelling in the gallery
Just to remind you that if you are in London you have until lunchtime on Sunday to see the ROI exhibition at the Mall Galleries, and there are many brilliant paintings still available for sale. One of my very favourites is only £500. See if you can spot it.

And here's mine in the exhibition -
Last hour on the beach SOLD



Thursday, December 11, 2014

June Mendoza ROI

June getting started 

I've had a wonderful two days at the Mall galleries in London. Tuesday was the private view of the Royal Institute of Oil painters exhibition, and I am fortunate to have work included in this wonderful exhibition again this year. It was brilliant as ever to catch up with friends, and I was tempted by many of the paintings. Unfortunately I've blown the painting budget already this year, and I must keep some money aside for tax - yuk! 

June with the sitters, Ian Cryer ROI President and his fiancé Felicity

Yesterday I watched all day as June Mendoza (surely one of our country's finest portrait painters) painted a dual portrait. June explained that she would normally take around five two hour sessions with each sitter separately, so the day would serve to provide a glimpse into her working methods although nothing like a completed painting.
 
What a fascinating glimpse it was to be able to watch somebody so skilled with eye and hand as the painting developed and the sitters came to life on the canvas.

The demo in the middle of the gallery






There are other events happening during the course of the exhibition that you might be interested in getting to. On Tuesday 16th December there is a tour of the exhibition at 3pm with the President Ian Cryer (the portrait subject in these pictures) and then from 6 - 9pm on the same day it's the Painting Event evening. This is a great chance to paint from the model alongside ROI members or just come along to enjoy the spectacle with a mince pie and a glass of wine. For painting or spectating you need to book tickets by calling 020 7930 6844.

You can see Bill Dean ROI painting in the gallery on Wednesday 17th December from 2 - 4pm, and Tim Benson VPROI working in the gallery on Thursday 18th December from 2 - 4pm.
The exhibition finishes on Sunday 21st December at 1pm and you can get a flavour of the exhibition here


The portrait at the end of the day




Monday, December 8, 2014

Christmas cards

Chicken huts in the snow
SOLD

I have been so busy with Christmas things as I like to really leave it until December to get started. Hence a few weeks of present buying, house decorating, food ordering, socialising... I haven't started to write any Christmas cards yet. And as for wrapping, well... 

I've also been working on my website developing the store items so that books and greetings cards can now be purchased easily online direct from my studio, including this new winter card 'Chicken huts in the snow'. I've added about a dozen paintings to the site also, it's worth checking back from time to time to see new ones which become available. My calendars have been so popular that I only have two left as well as one for me out of the 100 I had printed. Be quick if you want one!

I've also been out painting and taking photos at the Christmas market in Lincoln so I hope to show you a few of those paintings very soon! 

Tomorrow I'm off to London for the Royal Institute of Oil painters exhibition, so it will be great to catch up with many friends there, and that will be my first visit of three to the exhibition which ends on Sunday 21st December at 1pm. You can see many of the paintings in the exhibition online if you can't make it to the Mall Galleries. Click here to see the works.


Winter collection of ten cards, two designs

Collectors pack, assorted designs

A peek inside Volume 2 Paintings of light and colour

Take a look at my cards and calendars here :-)



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