Dahlias at the allotments

Dahlias and green shed
Oils 10" x 20"

The last day in October was unseasonably warm, like a mini heatwave. I went out to paint hoping to find either a pumpkin patch or some dahlias, aware that autumn was passing me by and I hadn't been outside to paint for a couple of weeks. 

I didn't find pumpkins but I was rather pleased to see this colourful display of dahlias. The arrangement of the flower bed and the long shed behind did seem to suit a longer format and luckily I had this 10" x 20" board with me, not a size I usually carry around.

I've attached a few photos of the work in progress below -

Flowers in the rain

Flowers in the rain

Last week I took part in Paint Out Norwich again, now in it's second year. It is such a fun event and so well organised. I had to miss the first of the two painting days and on the second morning it poured with rain without stopping. I stood under a tree in the market square with an umbrella but that didn't manage to stop all the rain reaching my palette and the painting. Still, there's always something fascinating to paint even on the dullest day. I looked across the road at the colourful flower stall. My big challenge was making everything dull enough so that the brightness of the fluorescent strip light within the stall would stand out on the painting as it did in reality. The trickiest part to get right without competing with the electric light was the white and yellow canopy.

Solo exhibition in Nottingham 'A lighter touch' opens on Friday 13th November until Sunday 22nd November, at 71 Friar Lane Nottingham NG1 6DH. I will be in the gallery each day and showing around 70 new paintings. We will have late night openings until 7.30pm on Friday 13th, Saturday 14th and Friday 20th. All other days opening hours are 10.00am to 5.00pm. Ten days only, don't miss it! 

Fig tree and shadows

Fig tree and shadows
12" x 12"

The morning light striking the agapanthus flowers, showing off their glory against the dark shape of my neighbour's hedge is what made me stop here. The peeps of bright acid greens through the gaps in the shadowy gate. And then the dappled shadow cast from the fig tree across the dusty path was enough to keep my attention. This is such a typical Bréhat scene, the pinks of hydrangeas seen in the garden beyond, the blue shutters at the window.

The blue carrot shed

The blue carrot shed

The third day of filming in Cornwall was a beauty, and we found ourselves in this south facing cutting garden. It was very hot but I was so happy to be there surrounded by such fantastic subject material. In part my choice of viewpoint was influenced as to where we could find space for three people to stand with three camera tripods. But had that not been the case, it would have been very hard to resist this little blue shed with the pink roses in front!

Again I was working with a little pochade box and an 8" x 10" board. I used to really struggle to paint small sizes outdoors and found that I had a tendency to tighten up and get a bit fiddly. I decided long ago that 8" x 10" was as small as I was happy to go.

I think I've overcome that now as I was very comfortable with the 8" x 10" format. The trick is to keep using a good sized brush and not feel you have to go tiny. Plus I had to make extra choices regarding selection and simplification. There are areas I would have worked more information into had I been using a larger canvas.

Detail

Huge thanks to Susanne of The Blue Carrot for allowing me to visit and paint in her beautiful space. If you are on Instagram look up @the_blue_carrot for beautiful images of flowers and weddings!

And while you're on Instagram, did you know I'm there too? I put more on Instagram than I do on Facebook or twitter, I find it's the perfect place for sharing a quick snap of something exciting or beautiful - without the need to add text! I'm there as @haideejosummers 

I'm here!

Rose garden at Belton House
12" x 16"

Ok so it seems as though two months has passed since I spoke to you last - it isn't that long but I've been packing a LOT in to the last four weeks! I'll try to get you back up to date with a lot of mini blog 'postcards' and action shots!
This is my favourite of the three paintings I did for the 'Where in the world is plein air' video event. This was day three for me and again I was blessed with fantastic weather. It was a really hot day but I had a tree fairly close to me so I was able to step back in the shade and cool off now and then. What an idyllic spot and subject, I didn't know which way to look! The roses in England have been absolutely amazing this year.

It was a nice surprise to find one of my Facebook friends/blog subscribers sketching in the garden too :-)

Actually this is one of my favourite paintings of the whole year so far, and it's now in America at the Illume gallery in Salt Lake City along with my other two from the event. If anyone could show me a photo of them in situ I'd be enormously grateful, it's a little far for me to get to at the moment.
You can watch the video of it's creation here.
You could even be the rightful owner of this gorgeous painting :-)

Bees in the orchard

Bees in the orchard
Oils 10" x 14"

We've had some fantastic weather this week in Lincolnshire, so I had to get out painting and where better than the gorgeous gardens at Gunby Hall? I headed for my favourite spot but the pond was brown and left me uninspired. This turned out to be a good thing as I wandered into this gorgeous orchard, and I've always hankered after painting bee hives! How exciting! The setting could not have been more lovely, and I'm very glad I came.

Can you see the bees? ;-)

Not a cloud in the sky

California flowers

California flowers
Oils 14" x 10"

I've come back from the convention full of inspiration, refreshed and raring to go - which is exactly what I was hoping for! It was terrific to spend time with my friends and meet lots of new friends and put a face to existing Facebook friends! Especially Cory who's been following my blog since just about the time when I started it in 2011 :-)

 The coastline in this part of California is incredible and I know I will have to come back here to paint. The light seems crystal clear and of course for me the sunshine makes a subject of just about anything. Take the backlighting on these flowers for example.

It was a wrench every day - be out painting or be in the conference centre watching all the wonderful demos and talks. Did I tell you they laid on free coffee all day too? Yes that pleases me ;-)

Look - freebies!

Look at all the gifts! I love gifts - and stickers! There are stickers for my easels ;-)

Lively still life article

The January issue of The Artist magazine should be out and about in shops in the UK anytime now. In it I have this article about painting vibrant still lifes using acrylics as an underpainting and oils to finish off. Both of these paintings will be framed up for my exhibition in Nottingham in January. 

It's going to be a busy and fun week this week, I have two days in London at the Mall Galleries for the Royal Institute of Oil painters exhibition. Tuesday is the private view and on Wednesday I'm taking part in a figure painting workshop there which will be fun!

I can't wait to see my three paintings hanging, I wonder if they will be next to each other. It's especially exciting that one of them has already sold so I shall see a red dot there! I will also meet up with so many artist friends and it will be great to see everyone. I'll have a better chance to see the paintings in the exhibition when I go back again next week, because on private view day the gallery will be packed.

Peonies and hen

Cottage with blue shutters

Cottage with blue shutters

This house stands at a corner two or three minutes walk away from my house. I've walked past it many times and considered painting it but haven't. This year the flowers in the garden look particularly spectacular, in fact it's almost hidden by the flowers! I took Lori there and we both painted it, from different viewpoints. It's a very busy corner in summer and we attracted a lot of attention. It's also a very popular corner for people getting lost and stopping to study their maps.

The flowering rock

Cottage with agapanthus flowers

At around 1950 an American modernist painter called Frank Kleinholz lived on the island of Bréhat for a while with his family. A book of his sketches was published sometime afterwards called île de Bréhat - the flowering rock. The book is long since out of print but I would love to get hold of one. Maybe one of my US friends can help? I can't find it anywhere in the UK!
The flowering rock is a really great description of the island, where there is pink granite and flowers almost everywhere you look! At this time of year the agapanthus and hydrangea flowers are the most obvious, gorgeous abundant blooms of pink and lilac, plus there are roses, lavender, geraniums and marguerites.
We've had a floral kind of day, Lori and I. After a lazy morning we first painted a beautiful cottage hidden amongst it's flowers, and then we came here to île nord to paint 'les agapanthes'. I knew this would be a difficult subject with the house in shadow, looking towards the sun, but it excited me so I had to give it a go. My biggest challenge was to try and get a feeling of translucency with the light glowing through the leaves and flowers. I have to say, I'm fairly satisfied that I did achieve it!
Just so you know, the strange marks in the sky are not on the painting. They are shadows from pieces of grass as I had the board laying on the ground when I took the photograph! Sorry about that!
This oil painting measures about 10" x 12" and is available for purchase as soon as it's dry so if you are interested please message me about it and it could very soon be in your home :-)

Still life with peonies, a hen and a little china cup

Still life with peonies, a hen and a little china cup

After my flower painting workshop on Friday I came home with some gorgeous flowers. Although I have painted many still life demos in the last year I haven't painted a still life for my own enjoyment for a long time. I couldn't resist these big blowsy peonies though.

You know how I love to paint over an existing painting given half the chance? Well I had this canvas with half completed demo from the workshop so I turned it on it's side like this and that's where I began...

I then began work in acrylics with thin glazes of colour, at which stage it looked like this...

Quite dark at this point but very exciting with it's transparent colour and splashy washes! 

When the acrylic underpainting was completely dry I started on the oils...

Then it was just a case of building things up until I was happy, keeping the bits I liked until I was satisfied overall.

Rectory with delphiniums

Rectory with delphiniums
50 x 60cms

I've finally got around to finishing this painting just in time for entry into the exhibition. I started it in acrylics back in early March and have finished it in the last couple of days in oils. (This doesn't work the other way round, but oils over a layer of dry acrylics seems generally ok)
I've also been trying to finish off my Douarnenez triptych which I painted during my week there. Although I came away with the middle panel looking finished enough for my liking, the right hand side panel looks a little stiff and the left hand side panel only really has the bare bones in place.
It may end up as a one piece after all!
I hate the phrase 'finishing off'! When I say it to myself my shoulders stiffen and the hairs rise on the back of my neck! I would far, far rather get everything up to a state of near-completedness (which is good enough for me!) on site and never lay a brush on it again!

Thought you might also like to see this one I did a few years ago now. It also has delphiniums in it, but the mood is softer....

Humphrey in the shade on the terrace   Sold

I absolutely love the colour palette used in that one.

Cupcake and roses

Cupcake and roses
Click to bid

Oils on stretched canvas, 10" x 12"
I wanted to work again with the same subject that I was using for the thirty minute exercise, and this time get the teacup in! It's a teacup filled with candle, it's very pretty. I also wanted to use the same colour palette and even more importantly, I wanted the same boldness about the brushstrokes. And economy! I wanted to use the minimum of brushstrokes as necessary, place a mark and leave it alone.
I didn't have a time limit this time! I think I've achieved everything I set out to do, I like it very much! Would quite happily keep it but I'll put it up for auction in case one of you wants a chance!

Here's a detail, lovely smooth lusciousness...

Yum, I could eat those colours... or I could actually go and eat the cake I suppose...

Ten min prim

Ten minute primula
Click to bid

I'm still thinking about my faster painting workshop and decided to challenge myself with a ten minute time restriction today! Simple enough subject, small board (18 x 13 cms) and paints ready to go.... it was achievable I think!
It's such a good exercise as it forces you to consider what are the most important things about the subject that you need to get down!
Here's a close up so you can see how lush and thick the paint application was...

Still euphoric over the success of yesterday's thirty minute painting I find myself asking why isn't it possible for me to do ten such paintings in a single day? It's a great theory isn't it? So why doesn't it actually WORK like that?! Answers on a postcard please...


Hmm... sounds like a challenge though...

Painting faster!

Cupcake, rose and hyacinth
Click to bid

I've been preparing for my next workshop which is all about painting faster! It throws up some very interesting questions about what exactly you would call fast, and what the benefits are of painting faster. What would you consider fast in the completion of a painting? For me it's anything up to an hour and a half. Back in the day, at university, we painted in full colour from the life model with only five minutes each pose. That's what I call a good education!

So today I set my timer for this painting and gave myself thirty minutes. Not a second more! I started getting anxious when I had ten minutes left mind you!
Although reluctant to stop when the timer finished I did and am actually really thrilled with it! I think I captured the essential info with an expressive, direct feeling to the marks and bold colour. If I had unlimited time I'm sure I would have lost that with 'fiddling' and 'neatening up'! Sound familiar?
I used a fairly small board (10" x 8") and fairly large brush and laid out my paint on the palette before I started the clock.
I thought you might be interested to see the objects I was working from...

There are still places available on the workshop on Monday... you know you love a challenge! Find out all about it on my website www.haideejo.com

Epicerie avec les agapanthes, Bréhat

Click to bid
Epicerie avec les agapanthes

I haven't been painting all weekend (apart from 20 minutes today!) but here's a plein air oil painting of the Ile de Brehat from last August. The building is the island's epicerie, at the far end of the market place behind the huge stunning bed of agapanthus flowers. I varnished this painting today, and thought you may like to see it! It measures 30 x 20 centimetres, please click the link above to see auction info.
Jo mentioned she liked to see the painting in the context of my studio in the last post, and could she see more of my house?! Well I thought you may like to see how I display the little paintings on my kitchen dresser, along with all the other clutter (!)

Perhaps I should have tidied it for you! I think the paintings look very nice on there though! ;)