Hunters yard

Hunters yard
14" x 18"
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One of my favourite paintings from this year, actually one of my very best yet I think! You probably know that I like to bite off a bit more than I can chew when choosing a subject, I think it's how to keep growing my painting skills. Always strive towards something that you think is a little beyond you, that's my advice.

A subject like this is fraught with difficulties. What are the focal points? How to deal with the background (exterior scene) without it coming forward? How best to describe the value relationships between the dark interior and sunlit goings on outside? How to simplify all the busy objects and shapes within the boat yard? How to capture some of the figures that pass through and even.... can I get the dog in? What about the shine on the floor? The electric strip lights? And all these decisions to make while answering questions from onlookers.

But I was truly gripped! As soon as I saw it I knew it was my subject. Wild horses wouldn't have dragged me away from Hunters yard that afternoon.

Detail from Hunters yard

Fishing clutter

Fishing clutter
8" x 6"

I was teaching a plein air painting weekend in Harwich with a really keen group and this is a demo painting of some interesting shapes and colours I spotted just along the road. It doesn't matter what the objects are, I neither need to know or name any of those items. I just need to find the shapes fascinating so that I can enjoy the experience and show my excitement to the viewer of the painting. 

Luckily my group were happy for me to go on with it until it was finished as I was really involved and it would have been hard to tear myself away! 

I'll be teaching a plein air weekend at the Old Bank Studios in Harwich again next May, book a place if you'd like to join me there!

Boat sheds at Brancaster

Boat sheds at Brancaster
16" x 20"

I think the addition of a couple of figures in the background not only lends a sense of scale to the proceedings but also a sort of 'story' which I seem to consider more when studio painting, rightly or wrongly.

With additional work on the trees and grasses I was pleased to decide the painting was finished. (Rather feels like a boat launch but without the bottle of champagne being broken against it!)

Although I've spent lots of time and thought and paint layers on this one I'm hopeful that it still looks fresh and not laboured, and glad I've managed a decent variety of marks too with some areas of the paint being left thin and bare and others more impasto.  The photo above is just an iPad shot as it's a little too dark for trying a decent photo but it gives you the idea, and here are a few 'closer-ups'.

More work on boat sheds

Work in progress

I continued with various thin coloured glazes such as greens on the grasses and trees and blues on the boat and sheds. Each time the painting would be left alone for a few days afterwards to let the glaze dry. Again this is a luxury of studio painting. The whole course of a painting is making a series of changes, and if you have time on your side then one of the options open to you is using a glaze to subtly alter the colour tint of an area. 

I then mixed up thicker, more opaque paint for the bright light greens of the sunlit areas of grass.

I also mixed up an opaque lavender grey for the shed doors. Later I decided this was too light in value and so (when really dry) a glaze was applied to darken it down at which point it 'sat' better in it's surroundings.

The painting was left like this for all of January as I was fully occupied with my Nottingham exhibition. So near and yet still so far!

A return visit to Brancaster Staithe last week gave me the chance to look again at the subject and gain some fresh ideas, and also the impetus needed to press ahead and get it completed.

The plein air study perches on top of the easel

The first change I made was to alter the whole sky area to a sort of light valued warm grey, but I left areas of peachiness breaking through. 

I had also seen the light coming down through the gap in between the sheds this time and thought that would definitely be beneficial to add. Also the roof on the left had sustained further damage and I happily let more sky show through with the new gaps. I had a firmer idea about the shape of the trees in the background too.

Tomorrow I'll show you the end result of all these layers and adjustments...