Sails up in harbour, Paimpol

Sails up in harbour, Paimpol
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Here you go, the completed painting! Hope you like it. I really do, it was so worth me being a little more patient than usual. I can't wait to give it a coat of retouching varnish because it will really bring out the deep dark colours and provide a pleasing all over sheen. Next job is the framing!

And here's a close-up...

Big red onwards and upwards

Stage 5

So as I said yesterday at the end of stage 4 I thought I wasn't far off finished, but still I continued. I next wanted to get those cream coloured sails really clean and bright in places, and for that I used a mix of naples yellow light and white. I had made those reflections of the sails (both the red and 'white') much darker too. Pow! The light was really starting to show now.

Detail at stage 5

Stage 6

I began to think about placing figures, although got off to a faltering start at first and scraped them off. At least I had a better idea of where I was going to place them then. I also defined the sky area. And I had fun putting those little Breton flags in!

Stage 7

You can see that in stage 7 it was the turn of the background buildings to get a little attention. From the general wishy-washy darkness I started to pick out structure and details. I continued with that in the Stage 8 pic shown below.

Stage 8

Detail at stage 9

Figures started to go in and by now I was really near to being happy it was finished. Hope you've enjoyed watching the build up. Next time I'll show you the completed painting!

Big red in the studio

Stage 1

I'm hoping you're still willing to see the sailing boats in Paimpol harbour because as I said a little while ago I've been working on a large studio version. I'm happy to say it's finally finished and I've been taking photos all the way through at various stages to show you how it progressed!

So, right back to the beginning which was some weeks ago now... I started work on a large canvas panel (large compared to all my plein air paintings) sized 24" x 30" and I primed it all over with a tinted gesso mix consisting of white gesso and pale umber acrylic paint.

I then painted the large area that would become the red sail again with white gesso, because I imagined that the red of the sail would work better with a white ground showing through the red rather than the warm grey underneath.

When this was all dry I started with the oil paints. Using a turpsy mix of a greenish-brown grey I plotted in the main dark areas and this is what you can see in Stage 1 above.

Everything is full of promise and no angst at this stage!

Stage 2

While that was still wet I also added a slightly darker version of the same colour to differentiate between two tonal values in the dark area. Then when this stage was dry I used another turpsy mix, cooler in colour this time to deepen some of those darks and add further shape to the buildings behind. 

(Stage 2)

Stage 3

I took the painting along to a workshop then and stage 3 was completed as a little demo. With the tonal values in place I really needed to start thinking about colour, and in particular it was time to get cracking with that red! I also worked on the colour of the 'white' sails and their reflections, and completed the shadowy buildings on the right hand side. I wasn't particularly concerned with the accuracy of the roofline, as I knew I could confirm the drawing there when painting the sky.

The touches of blue in the sky and water and the blue banners on the quayside added a lot of liveliness.

Stage 4

On returning to the studio after it's trip out I realised that I needed much more of the sky colour reflected in the water and worked on this area with thicker paint.

To be honest I thought it was very nearly finished at this stage but apparently not!

I'll show you how things proceeded tomorrow...

Detail at stage 4

Red red sail

Red sail in Paimpol harbour

At the risk of boring you I'm sorry but I'm not done with this subject yet. This is a small oil painting on Arches huile paper distilling the subject down to it's basic elements. It's based on a sketching trip one afternoon in August to Paimpol harbour which I did tell you about at the time. I was waiting to meet my friend Lori Putnam off the train and couldn't believe my luck to see a few boats with their sails up in the harbour.

Here's my first drawing of the day, I was struggling to make sense of the lighting conditions and I think you can see my confusion in the sketch...

As I was finishing this one the red sail went up! I was SO excited, but I got to work quickly because I didn't think it would stick around....

But it was still there, and I thought I could do a better job so...

Yes! I was happy with that one. By this time the front of the buildings were in darker shadow which was making my life MUCH easier, and I veered towards green-blue in the shadow colour to help that red to sing out :-)

But as I was leaving I saw a better view, with the red sail on the right of the white sails so I had to sit right in the middle of the pavement there... it was awkward but it had to be done and the people who stepped over and around me seemed to enjoy the spectacle too...

Now please don't be getting sick of the red sail just yet because I'm working on a BIG one now in the studio, and I'm just hoping I can keep the same vitality.

I find if I'm working 'en studio air' it's best to tackle up to half a dozen at the same time and flit between them. This helps ward off the possibility of an unhealthy fixation forming with a rising pressure level, tense shoulders and a disposition towards tightening up. I also chant 'Just because it's big, doesn't mean it's got to be special...' (repeat to fade)

Sailing dinghy at Paimpol

Sailing dinghy at Paimpol

Another small work (oils on paper), from sketches made this summer at the harbour in Paimpol. Paimpol is the nearest town to the island of Bréhat on the mainland. It's a very pretty town with a fabulous weekly market and cafes, art galleries and the harbour. My daughter went to school here when we lived on the island in 2011, and her 'college' was a big stone building overlooking the harbour.
The white sails are the white of the paper which I've reserved as you usually would with watercolours. I've simplified the busy harbour and boats in the background to one fairly dark shape with a few coloured spots and light patches. I'm all about the simplification, you've probably noticed by now!

Sails up in harbour

Sails up in harbour

Glorious weather again today, and a day away from the oil paints. I had the luxury of three hours 'waiting time' in Paimpol which I was happy to turn into sketching time at the harbour.
This is my fourth and final drawing of the same scene, and by this one I felt I was getting somewhere!
I was elated when the red sail was raised on that boat, do you know that? Just elated!
I would have completely missed that if I hadn't been sat there sketching. Stopped and watching and waiting. Absorbing the sights and sounds. Every time you snap a quick photo of a scene and move on you miss so much.
Also it was a lesson in perseverance. I struggled throughout the series of sketches and each one got better and closer.
And I feel a studio painting coming on!

If you are on twitter, you can find me there as @HaideeJoSummers
I am posting a drawing every day in August, along with many other people who are #drawingaugust. Today I posted all four!

And after all that sketching and two boules of ice cream I picked up my good friend Lori Putnam from the train station, and I'm very excited to show her the island and be able to paint together over the coming few days :-)