Showing posts with label portrait demo. Show all posts
Showing posts with label portrait demo. Show all posts

Thursday, January 29, 2015

My annual review 2014 - October to December



City fish

Finally here I am with part four of my annual review so you might want to make yourself a cup of tea before you settle down to read it, it's a long one. Pleased to say I'm feeling well again, hurrah!

After 'A brush with the broads' I was quite soon back down to Norfolk to take part in Paint Out Norwich, a selected plein air event involving around 30 artists chosen from an open entry. Again this was another brand new UK plein air event so I was very excited to be taking part. I also had a role to play helping my injured artist friend Mo Teeuw to get around as she was unable to drive at the time and painting from a wheelchair! Luckily the event organisers were fantastic - helpful, enthusiastic and fun. 
I hadn't been to Norwich since I was a child and I didn't remember anything, so I was happy to go to any spot allocated to me. We had four three hour painting sessions in different parts of Norwich over two intensive days. In between times we framed the wet paintings and grabbed a bite to eat, and enjoyed jolly get-togethers in the evening.


Pulls ferry, Norwich
The painting 'City fish' was painted in Norwich market on a very cold morning, and I had lots of interest and chat with passers-by. As soon as I saw the old man with the flat cap I had to draw him in quickly (with the brush). I think he makes the painting really!

Pulls ferry is a much painted local landmark and when I was on my way there somebody told me 'there's a choice of only two views (to paint) there'. Really? There are millions of views everywhere in my opinion, so I set off determined to choose a personal viewpoint for the painting. In the end I settled on this reflection, as I loved the glowing brightness of the distant trees through the archway, and all the leaves littered all over the water and pathway like confetti.


Work to be done,  Elm Hill
First prize winner, Paint Out Norwich
Private collection

Another picturesque corner of Norwich is Elm Hill. I had seen a photo beforehand and was really looking forward to painting there. When I arrived I was surprised and initially disappointed to see the scaffolding covering the left hand side building and crossing the narrow street in front of me. At times the sun broke through the clouds and the plane tree cast wonderful shadows on the yellow building, which I liked very much. Then I decided to paint the scene scaffolding and all, as I do enjoy a chance to show the signs of modern life and plus, can't resist the red (road signs).
The lady in the cafe opposite loved it. She said she'd seen many pretty paintings of it, but that mine captured Elm Hill as it really is - her everyday view. So that was encouraging!

Apparently the judges (the artists Trevor Chamberlain ROI RSMA and Colin Self, and curator Amanda Geitner) loved it too, as my painting of Elm Hill won the £1000 first prize in the first ever Paint Out Norwich!
No I really couldn't believe I was winning another prize - absolutely amazing. 
And I was so happy for my friend Roy Connelly too - see picture below!


With prizewinners Roy Connelly and Chris Daynes ROI
Paint Out Norwich
I drove home in the middle of the night on a complete high and in a bit of a daze! I got home and crawled into bed at 3am. When I got up that morning I had to empty the car and unpack, and then pack for France and reload the car, as we were leaving for a week in France just a few hours later. There are sometimes drawbacks to fitting it all in the way I do!

Another fantastic trip was my time in Venice with artist friends Penny German, Felicity House and Wyllis Heaton. We also met with Ann Justin, Kelly Medford and Louisa Calder. So much fun to have company to paint with and spend the evening with. The extra good news is I don't have to wait too long for my next Venice trip, as I've decided to go again this year. 

The weather was absolutely ideal for painting, no fog or cold for me this time! We did have one day of rain, but there are plenty of places to shelter and continue painting in Venice.


Shadows in Campo S Giovanni e Paolo


The artist Felicity House

I love this one of Felicity working on the steps to a bridge. You can feel the heat in the sunshine, just look at that clear blue sky! People were most amused to see that I was painting the artist painting. I love the wonky shopping trolley too. This could translate well into a studio painting couldn't it?



Painting in Venice



Rising shadows at the Ospedale
Private collection

Some of my paintings from Venice are available to buy direct from my studio. If you'd like to take a look you can find them here.



Washing day, Venice


In usual style I arrived home from Venice in the early hours of the morning for a few hours of sleep before attending my own exhibition preview!
While I'd been away the brilliant folk at Patchings Art Centre had hung the exhibition and it all looked beautiful. I liked to see the title of my exhibition here at the bottom of the stairs, doesn't that look nice?


Opening day of my exhibition


A breath of fresh air exhibition
Patchings art centre
During the exhibition I went in to the gallery for some painting days, a couple of which were portraits from life. Here I am painting my mum for one of the demos. She has her feet raised on a box because she's only little, like me!


Painting my mum in the middle of my exhibition at Patchings



Portrait of my mum

In December I had several trips to London to see the Royal Institute of Oil painters exhibition at the Mall Galleries in London. I was exhibiting this painting there, which was painted en plein air in August on the island of Bréhat. 


Evening at the beach, Bréhat
Private collection


Another event in December was the ROI painting event evening at the gallery. My friend the artist Adebanji Alade was one of the sitters. I had a couple of hours on this and am very pleased with it. It was a really fun evening too.



Portrait of the artist
Adebanji Alade


Lastly in December I got really excited about a local subject, the Christmas market in Lincoln. I painted only one piece while there, but I've been working on a series of paintings in the studio. I'm really enjoying making painterly marks and as always, striving to say more with less.



Mulled wine, hot chocolate


Christmas market, mulled wine stall
Private collection



Christmas market at dusk


Christmas market, snow

I hope you've enjoyed the recap of my year. And now it's almost February, amazing! I have got an absolutely packed year happening, and so much to tell you about! Did you have any new year's resolutions? And how's that going? Mine was to draw every day and so far so good! I've kept that up for the whole of January and am feeling very good about it. I can already see how that regular sketch work is impacting on my painting and providing painting inspiration. I'm focussing on figure and portrait drawing because I want to include more people in my paintings, and possibly also because it's a challenge and a good practice, and endlessly fascinating. I will show you some more on the blog soon, but if you're on Twitter or Instagram check out my account as you can see nearly all the January sketches there. All the best ones anyway, there are a few I won't be sharing! ;-)







Saturday, January 3, 2015

My 2014 review January to March



Exhibition portraits January 2014

It's that special time again, time to look back over what I've been up to in 2014, take note of my achievements, remember fun times and travel, see what direction my paintings have grown and yes, pat myself on the back for a job well done before putting it all behind me and forging ahead with the exciting and new!

January 2014 got off to a cracking start with my solo exhibition in Nottingham and a whopping 30 paintings sold and off to new homes. I painted a different portrait in oils each day for ten days of the exhibition, while also handling sales and enquiries and putting the kettle on frequently! I was very grateful to my patient models!


Andrew



Jenny

Painting Ant who also painted me!

The large gallery with about 80 of my paintings hanging

February included a ten day holiday in France with the family, some plein air painting in Norfolk and some coastal studio paintings, plus an article I wrote about gouache painting was published in The Artist magazine.


Crab hut at Brancaster Staithe
Private Collection

Whelk sheds at Brancaster Staithe
Oils 11" x 14"
£650

By the boat sheds, Brancaster Staithe
Oils 16" x 20"
£1095

I was really starting to get somewhere with studio paintings and actually enjoy doing it. I found ways to keep much of the freshness of plein air paintings and yet on a larger scale. I realised I needed as much background information as possible, e.g. paintings and sketches made on site, to help me keep the excitement and inspiration alive. The more I do of studio work, the more possibilities present themselves to me. It could never replace plein air of course, but I feel they both feed off each other. 

Kevin Macpherson describes it so well in his book 'Landscape painting Inside and Out':
"Many outdoor attempts fall short of successful, yet possess qualities that can be improved on into a grander statement in the studio. Each truthful colour note on a plein air study is a priceless seed of information that can transform your studio work to higher levels. Also, in the studio you can practise picture-making principles and experiment in a controlled environment.
Indoor and outdoor painting are complementary experiences. As memories of nature breathe life into your studio work, the disciplined approaches and principles you practise indoors will enable you to attack the canvas outdoors in new ways."



End of a perfect day, Sennen beach
Private Collection

In March I had two trips - first to Cornwall and then to Essaouira in Morocco with a group of painter friends. In Cornwall the weather was a bit disappointing but I managed to get some plein air work done and also enjoyed a fishy still life when it was pouring with rain outside.


Fairmaids of Mousehole
Private Collection

Towards St Michael's mount from Mousehole
Private Collection

Silver light, Mousehole
Private Collection

In contrast the weather in Morocco was dry, warm and idyllic for plein air painting, and I had a fabulous time. The locals were on the whole very interested and kind, and several remembered me from the year before. We even got invited to the private view of an art exhibition with an artist friend who I'd met while painting the year before and kept in contact with via Facebook, and I made some lovely new friends too. Plus of course the enormous benefit of having artist friends painting at the same time there from the UK, USA and Spain. What a great trip! 


One of my Essaouira friends, Monsieur Bouabid

Butchers shop Essaouira - poultry
Oils 10" x 12" £550

Butchers shop Essaouira - mutton and veal
Oils 11" x 14" £595

Boys diving into harbour
Private Collection

I'll finish this first quarter of the year with this bobby dazzler, companion painting to the one you know well that you'll be seeing again in the next instalment, when I take a walk back through April, May and June. I warn you now it might be a long blog post with a lot of excitement and exclamation marks!


Heading out of harbour
Private collection













Thursday, December 11, 2014

June Mendoza ROI

June getting started 

I've had a wonderful two days at the Mall galleries in London. Tuesday was the private view of the Royal Institute of Oil painters exhibition, and I am fortunate to have work included in this wonderful exhibition again this year. It was brilliant as ever to catch up with friends, and I was tempted by many of the paintings. Unfortunately I've blown the painting budget already this year, and I must keep some money aside for tax - yuk! 

June with the sitters, Ian Cryer ROI President and his fiancé Felicity

Yesterday I watched all day as June Mendoza (surely one of our country's finest portrait painters) painted a dual portrait. June explained that she would normally take around five two hour sessions with each sitter separately, so the day would serve to provide a glimpse into her working methods although nothing like a completed painting.
 
What a fascinating glimpse it was to be able to watch somebody so skilled with eye and hand as the painting developed and the sitters came to life on the canvas.

The demo in the middle of the gallery






There are other events happening during the course of the exhibition that you might be interested in getting to. On Tuesday 16th December there is a tour of the exhibition at 3pm with the President Ian Cryer (the portrait subject in these pictures) and then from 6 - 9pm on the same day it's the Painting Event evening. This is a great chance to paint from the model alongside ROI members or just come along to enjoy the spectacle with a mince pie and a glass of wine. For painting or spectating you need to book tickets by calling 020 7930 6844.

You can see Bill Dean ROI painting in the gallery on Wednesday 17th December from 2 - 4pm, and Tim Benson VPROI working in the gallery on Thursday 18th December from 2 - 4pm.
The exhibition finishes on Sunday 21st December at 1pm and you can get a flavour of the exhibition here


The portrait at the end of the day




Wednesday, October 15, 2014

Portrait of the artist's mother






Meet my sweet little Mum! On Saturday I painted her portrait in the middle of my exhibition in the Barn gallery at Patchings art centre. We had such a lovely day and so many friends came to watch the painting take shape. It was a lovely atmosphere, thanks to everyone who came and to the brilliant team at Patchings as always. We had a really great day.
Although I've sketched her over the years I think the last painting I did of my mum was the one below, painted when I was still a student 22 years ago!
I am really enjoying the quick portraits that I've been able to do this year, I hope to get some more done this winter so let me know if you'd be interested in sitting for me.







Saturday, January 18, 2014

Nine little jewels

Nine portraits together

What fun it is to see all the portraits produced in the exhibition so far together like this in a photo montage. It's nice to be able to appreciate the differences between them, and they look like little colourful sweets!
Yesterday my model was Jenni, another lovely blog subscriber whom it was a great pleasure to chat with throughout the day. Jenni wore a bright pink scarf which I couldn't ignore, particularly as the pinks were reflected up into her face and neck. 
I knew that such a strong colour would have to be added to the painting at quite an early stage. I really enjoyed mixing the colours for Jenni's hair, and painting her 'hardly there' spectacles. Spectacles are a great lesson in painting what you are seeing and not what you think you are seeing. Don't be frightened of tackling them in a portrait, they usually make really helpful markers to help you see distances between eyes, nose, ears, hair etc. On Jenni's the glass parts were rimless, which was so much fun because I only had to show them by painting the shadow underneath them on her cheeks, and one little slender corner which was catching the light.


Exhibition portrait day 9 Jenni


Stage 1 - raw umber


Stage 2 - getting straight on with the pinks



Jenni





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