Ken's fruit and veg

Kens veg, Ludham
11" x 14"

I was on my way to a different painting spot with my friend Mo  when I saw this beautiful sight and came to a screeching halt. Coup de coeur! This kind of subject is just my cup of tea. So many interesting shapes to get stuck into, some terrific shadows, an interesting colour palette and even lettering - tralala! Not to mention the warm feel good factor of homegrown fruit and veg for sale in a humble shed in a village, everything rustic and home made and just right.

I didn't even go into the shed as I was so busy painting but I did sample some very nice produce as I worked with the sun on the back of my neck. Yes it was a great experience for me.

Ken came back in his van and seemed delighted that I was painting his fruit and veg shop. He wandered across the road a few times to check on progress, and I had chats with walkers who were passing by.

Started with marking out the major shapes

Quickly moved onto colour and value, trying to 'nail it' in the first hit

Fun with all the little signs!

Work in situ, beautiful day and great fun!

Apparently Ken would have liked to buy the painting when he saw it in the evening exhibition, but the price was rather out of his league. I asked my lovely friend Kate if she might be able to produce a print of a photo of the painting for him and look what she did - a lovely print and framed as well. He looks over the moon with it! Well done Kate x

Happy Ken with his colour print :-)

New studio in the countryside!

Most beautiful view framed by the large door!

Less than a week ago we moved house and moved studio so we've had a fair busy old time of it, packing and organising things for weeks and weeks on end. Now we are finally here and although we  are going to be living in chaos for a fair while longer we are enormously happy with the new place and on a sunny day there is nowhere we'd rather be! We have moved less than a mile away, only to the next village so we have the advantage of knowing the whole area and yet still there is something exotic and holiday-like about our new situation and we are loving the views.

I'm feeling very inspired and can't wait to get those paintbrushes moving again, and soon I'll have to get into a new routine that allows me to get my work done alongside getting jobs done for the house and studio.

Tuesday

Sunday - I have some floor space! Yay!

Graze

Graze
20" x 24"

My exhibition opens today at The Russell Gallery in Putney, and will be open until the 2nd April. If you come to London this month please try and visit. There are also works by Paul Curtis NEAC which I am looking forward to seeing.

This is one of my new paintings in the exhibition - a large studio painting of some cows that I painted in Norfolk recently. 

Paintings can be viewed online at www.russell-gallery.com

Enquiries www.haideejo.com

Telephone: 0208 780 5228

Gallery email: russgallery@aol.com

12 Lower Richmond Road, Putney, London SW15 1JP

The blue carrot shed

The blue carrot shed

The third day of filming in Cornwall was a beauty, and we found ourselves in this south facing cutting garden. It was very hot but I was so happy to be there surrounded by such fantastic subject material. In part my choice of viewpoint was influenced as to where we could find space for three people to stand with three camera tripods. But had that not been the case, it would have been very hard to resist this little blue shed with the pink roses in front!

Again I was working with a little pochade box and an 8" x 10" board. I used to really struggle to paint small sizes outdoors and found that I had a tendency to tighten up and get a bit fiddly. I decided long ago that 8" x 10" was as small as I was happy to go.

I think I've overcome that now as I was very comfortable with the 8" x 10" format. The trick is to keep using a good sized brush and not feel you have to go tiny. Plus I had to make extra choices regarding selection and simplification. There are areas I would have worked more information into had I been using a larger canvas.

Detail

Huge thanks to Susanne of The Blue Carrot for allowing me to visit and paint in her beautiful space. If you are on Instagram look up @the_blue_carrot for beautiful images of flowers and weddings!

And while you're on Instagram, did you know I'm there too? I put more on Instagram than I do on Facebook or twitter, I find it's the perfect place for sharing a quick snap of something exciting or beautiful - without the need to add text! I'm there as @haideejosummers 

Old milking parlour and snapdragons

Old milking parlour and snapdragons
Oils 8" x 10"

I had one of those 'coup de cœur' moments when I came across this scene in Cornwall. I first saw it on a cloudy day when I was struck by the great shapes of the doorways and the mysterious dark within.

When I returned to paint here the sun was shining, which heightened the contrast between the outside and the inside of the barn, and the exterior stone wall that you can see through the doorway on the right.

Getting the darks in first

There was an interesting shadow from a fence to the right casting diagonal shadows across the front of the barn, and they could even be seen over the foliage of the various weeds and snapdragons that have self seeded right in front of the barn. 

Detail

Where in the world...

English summer pasture
12" x 16"

This is my second painting as part of the Illume Gallery's 'Where in the world is plein air' event. For three days over a hundred artists took part from all over the world and made short videos to accompany their paintings.

It is so much fun watching the videos and fascinating to see where everybody has been painting this week. You can see my videos here and then click on 'artists' to choose which other videos you'd like to see.

I was amazed what I heard Lori Putnam say when she was filming for day one, about the passers by who stopped to chat!

Now all the finished paintings are for sale with the Illume Gallery of Fine Art in Salt Lake City in Utah, so I will be wrapping mine up and posting them off there. 

The team involved has done an incredible job co-ordinating all the artists and uploading the videos, and now they have a big exhibition to organise! 

'Down on the farm' - just needed a piece of straw to chew on!

Turkey at the allotments

The pens
Oils 12" x 16"

It's been a week off school and a week of birthdays and celebrations at our house. I've had little time for anything else, but it's been good fun. Great to get back to a working routine today though!

The week before I had a most enjoyable afternoon at the allotments with my friend artist Mo Teeuw. I mostly talked while she painted the view behind me and at some point in the proceedings I managed to paint this fabulous shed with the corrugated metal fencing that has seen better days. 

The turkey was a little further away and was making a big show of his feathers every time I walked near to warn me off. I thought he would make a great subject but there was nothing of interest to me in his environs. I did however like this shed, and it came with the added bonus of being within talking distance of Mo. And this was the outcome.

By the way you might like to look at Mo's blog - in January she managed to get out and paint every single day, which is no mean feat in the UK! Well done Mo x

Across the snowy fields

Across the fields

We haven't had lots of snow this winter, but more than last year anyway which was none at all! In the couple of days of snow we had in January I had a drive around the local villages and found this wonderful view, looking across the fields outside Londonthorpe. I was particularly struck by the shape of that lovely tree halfway down the hill, and the gorgeous light effect giving warmth to its higher branches. Also how that warmth contrasted with the cool violet shadows falling across the foreground field. Gorgeous!

While I was there I saw a villager pouring salt on the icy road, another clearing a driveway with a shovel and one struggling to get his car out of a side road because of the depth of snow there. An awful lot of disruption and then within two days, there was no snow to be seen except for a frosting of ice here and there. This tends to be the way of things when snow falls in England, absolute pandemonium and then it's gone :-) 

BIG news!!

Walking through buttercups, Harpur hill
Oils 26" x 28"
Buxton Spa Prize Winner
SOLD

With our certificates!
Rob Wilson (3rd prize), me and then Keith Wilkinson (2nd prize)
Thanks to Bertolutti Dora for photo

I am absolutely delighted to announce that I am the first prize winner of the Buxton Spa prize 2014, the inaugural plein air painting competition held in this beautiful and vibrant Derbyshire town. The prizes were announced at the exhibition preview and prizegiving evening on Thursday and I haven't had a chance to blog until now or for it to sink in really!

The judging panel consisted of the eminent artists Harold Riley and Ken Howard OBE RA, Viscountess Cobham the Chairman of VisitEngland and the Art Fund Prize, Ros Westwood the Derbyshire Museums Manager, Anne-Lise Fraser the Programme Cordinator at Leek School of Art and Louise Potter local businesswoman and Manager of the Literary Festival a long standing supporter of cultural initiatives in Buxton and Trevor Osborne who is leading the project to restore Buxton Crescent and an active supporter of the arts.

I painted this large work en plein air on Harpur Hill in Buxton, which was my allocated spot for the competition. I don't often get a chance to paint a wide ranging vista and of course the light changed fantastically throughout the day but I really enjoyed the whole process and was pleased with the freshness of the result. I also felt that it was a landmark work for me and fortunately I've had a few of those lately. It's hard to explain but it's sort of a feeling that something in the painting is showing me the way forward for my work, ahead of it's time almost or a turning point.

Of course I didn't know that the judges would love it as much as I did! The eminent artist Harold Riley spoke about painting being about love and honesty, and then said that my work showed emotion and captured the spirit of the Derbyshire peak district. 

I am still a little stunned by the events of the evening! My prize is £5000 and my painting has also sold. After the prize giving some photographs were taken and then we the prize winners were given a sumptuous dinner at the Old Hall hotel with the judges and organisers. It was the most exciting night, thank goodness I had booked a room for myself in the beautiful place next door, No 6 The Square, as I was in no fit state to drive two hours home afterwards. Too shaky! 

The exhibition of all the works created for the competition in the summer of 2014 can now be seen at  the Green Man gallery situated at Hardwick Hall in Buxton, and will remain on show until October 12th. I am going back to see the exhibition soon as there are so many gorgeous paintings and I didn't get a chance to view them with all the people there and all the activity going on during the preview.

With my painting and red dot!

Now before anyone mentions, no I didn't realise I was co-ordinating my dress with the painting and of course I didn't know I would be having my photo taken at all! A lot of the Facebook comments are loving the dress and saying that I look like a buttercup myself :-)

With judge artist Harold Riley on the stage
Thanks to Bertolutti Dora for photo

The painting in progress on Harpur Hill in July

Detail from painting

Poppies everywhere!

Flaming June
8" x 16"
Buy it now

They are here for only a short while and when you come across a field of poppies in June they are so magical. This seems to be a good year for poppies in Lincolnshire, and these ones are only about a mile from where I live so I simply couldn't resist. 

This was one of those that almost painted itself, tripping off the brush so fluently, and in under an hour and a half my work here was done.

By the way the sky looks a much more subtle blue in the real painting than it looks in this version on my screen, and possibly on your screen too. Looks better in the progress shots below.

I took a couple of photos as I went along, as I know that many of you like to see the stages.

Sketched in with the brush, then placing of greens

A touch of red so I could see it in situ, then blocked the sky in 

Great studio for the morning :-)

More hay bales!

Hay bales in Lincolnshire
Oils on Arches huile paper

No I'm not showing you the same painting again, I was actually revisiting the motif. This is a small and simplified version of the plein air painting that I showed you a couple of days ago.

Usually my studio paintings are L-A-R-G-E-R versions of my plein air paintings. This is the other way round. Hey-ho!

I like the way it's turned out. I like the brevity of it. I also like working on the white paper. I like to ring the changes :-)

Last days of summer

Hay bales in Sudbrook
Oils on canvas panel 30 x 40 cms

Last week I got out to a local field to paint this, it was a really hot day! I didn't have much time which is often a good thing, as it forces you to make important decisions and crack on with it. I'm very pleased with how it turned out which is also funny because I didn't have any great expectations when I started on it. I fancied another try of the subject but the next day it was raining and the day after the bales were gone. Just a few days later it seems that the heat of summer is finished and there's a cool dampness in the air in the early mornings and evenings.

Here's a photo taken of the painting in situ

Friday, work in progress...

Work in progress - had to stop not long after this as the light had gone

I really have lots and lots of business/admin/email/workshop writing type work to be getting on with after my lovely August break, so that kept me busy all morning. Then of course Friday afternoon at 2 o clock is coffee time with my friends, and I haven't seen some of them for six weeks. Everything else stops for an hour and a half on Friday afternoons during term time :-)
Then I was able to get out for two to three hours with Mabel, glorious late summer, late afternoon day as you can see! I can't tell you how many times I've walked past this barn and considered painting it. It's good to finally get on to it!
I got quite a lot further with the painting (the barn anyway) than this but couldn't take a good photo and there's one or two touches I want to finish.
I was reading about some fascinating research this morning by Dr Alvaro Pascual-Leone, professor of neurology at Harvard medical school. He found that volunteers who practised piano skills using only their imagination, looking at the keyboard without being able to touch it, gained the same brain pattern improvements as a group that had actually practised the exercises on the piano. I always knew it was a good thing to mentally draw or paint something when you haven't got any materials to hand. In fact, I did quite a lot of that when my children were very young and their needs kept me so busy! :-)