|Early morning, Santa Maria della Salute|
Oils 24 x 30 cms
It's nice to recall while watching the rain lashing down outside my cosy studio today that this time last week I was painting in beautiful Venice. I was really pleased with this one, painted on the Accademia bridge very early on Friday morning as the sun was rising.
It's such a difficult time to paint as the sun moves so quickly, and as it gets higher into the sky it brings more definition into everything you can see. If you start trying to keep up with this before you know it you're attempting to paint all the tiny windows and doors that you can see, and the buildings get darker as well as more clearly defined.
I really wanted to stick to my initial impression of the softness and muted greys of the buildings, the warm orange from the sky reflected into the sea and the relative darkness of the boats against the water.
I'm happy that I stopped as soon as I felt I'd 'said it'.
|Painting in situ|
I was also happy that I'd captured the difficult transition between the cool areas of water and the hot orange reflected light, and that I'd done so with a brevity of marks and colour.
|Wyllis Heaton at work|
|Penny German, Felicity House, Louisa Calder, Kelly Medford and Ann Justin|
|Spectacular San Marco light display|
This time last week this amazing spectacle of light greeted me at San Marco, shortly before a rainbow appeared in an arc right over the top of the campanile.