Friday, March 29, 2013

August evening on Bréhat

August evening on Bréhat

Well, back home but not for long and very busy! Next week I'll be in Bristol for the SAA's 'It's All About Art' event and then straight to the Ile de Bréhat for a week. Looking forward to those relaxing August evenings on the beach on Bréhat, although I don't want to wish my year away!
I will show you the other Morocco paintings, when I get around to photographing them all. It was a great trip. Bit of a shock coming back to the UK to find it's still winter here - ouch!

Sunday, March 24, 2013

Last day in Essaouira

We've just enjoyed our last evening meal as a happy group in Essaouira. Today was almost a complete washout for me, painting wise! Rather a shame for our last day, it poured with rain the whole morning, and showered on and off throughout the afternoon. I twice went out with painting kit only to return to the hotel each time after sheltering with a couple of coffees under a canopy, no painting achieved! Then after a restorative break in the hotel decided to give it one final fling! The painting wasn't up to much but at least I got out there and did it for a couple of hours.
It's been such a fantastic week and was just the tonic I'd hoped it would be, a new kick start. I find the light, the harbour, the subjects here all so exciting, and the people very friendly and interested. We painters need to get away and see new things from time to time to fuel our imaginations don't you think?
I've got a very busy week work-wise when I get back on Monday but I'll start to show you the other Essaouira paintings just as soon as I can!

Friday, March 22, 2013

Cinnabar green light

I had a more relaxed day today, enjoying several coffees with my new friends. We were adopted by a sweet dog who followed us around from spot to spot and would lie at our feet while we were painting.
It was overcast most of the day, but in a way I enjoyed that as I didn't have to chase shadows around!
I once bought a tube of Williamsburg Cinnabar Green Light as much because I loved the name as anything!
I don't have much call for it but it came in perfectly for the lady's robe in the foreground, which was the last part I painted. The cherry on the top!

Tuesday, March 19, 2013

Rugs for sale

This is my best from today, a few of us found this gorgeous little courtyard hidden away from the strong wind. It looked breathtaking when the sun lit it up. What immediately caught my eye on entering the square was the dark foliage against the bright whitewashed buildings. When the sun was out I sketched in (with the brush) where all the shadows were so I was able to continue just fine as the clouds came over. Each time the clouds parted of course the shadows had moved remarkably but I stuck to my pre-sketched plan!
The array of bright colours are rugs and clothes for sale.
I only managed three paintings today but this one took three hours (I was busy chatting to the two lovely ladies I was painting with) and is my largest at 12" x 16".

Monday, March 18, 2013

Essaouira day one!

Hopefully this will work, I'm attempting to blog via email again!
Well here I am in Morocco and what an interesting day, what a fascinating place! There's so much to see here it's sometimes hard to choose where to stop and paint.
I have managed five and a half paintings today with varying degrees of success! First two were a bit ropey but I was fairly happy after that.
This was number five. Look at all the seagulls sitting along the wall and on the rocks! I love the white against dark of those and the dark against light of the flying seagulls seen against the sky.
There are lots and lots of dogs, cats and seagulls here.
I wasn't very happy when the wind threw my stainless steel turps container off my easel (full of my new clean Winsor & Newton distilled turpentine) upside down into a deep brownish dubious looking puddle from which I had to fetch my now empty container.
Would have been better if that had happened on day five or even six...

Saturday, March 16, 2013

'August evening on Bréhat' detail

'August evening on Bréhat' detail
And I'm off! With 24 kilos of paints and kit and about 2 kilos of clothes... feels like that anyway!
Next time I speak to you I hope it's from Morrocco! :-)

Tuesday, March 12, 2013

Tonal key studies on a very cold day




It's turned very cold and wintry again. I worked from my studio all day yesterday with the cats and we were extremely grateful of the underfloor heating! All of us lying around on the floor with snow whirling and blizzarding all around us.
I started work on a painting based on a series of photos taken on the beach on the ile de Bréhat one delightful summer evening. The beauty of working in the studio is that you can play around to your heart's content with preparatory work, whereas plein air you are usually in a rush to get started.
In these sketches I had already decided on the composition and was trying to plan which tonal value range to pitch the painting at. Using lovely chunky ProMarker pens in a range of warm greys I tried a low key palette, high key palette, mid range palette and finally using the whole extent of tones from light to dark.
Which do you prefer? I'll let you know soon which one I went with...

Friday, March 8, 2013

Lucky girl again!

My Winsor & Newton ROI prize :-)

Look what lovely treats arrived for me today! Prompted by my forthcoming trip I finally settled down with the Winsor and Newton catalogue to choose my prize goodies from winning the ROI event evening in December. 
I chose the compact artist's watercolour set because I really wanted to be able to keep part of my prize as a souvenir of the evening. I do actually love watercolours you might be surprised to hear, I just forget to use them! Anyway I thought this one would be great for 'on the go' with it's fourteen half pans of colour and mini sable brush. I now need to get in the habit of taking it around with me to add a little colour to my line drawings.
Yes I did order brushes too, even though I got my large Pro Arte prize haul only a few months ago. There are 'Monarch' and 'Galeria' brushes that I would hate to be without... and although I hardly ever ever throw a brush away I always seem to need new ones! In fact they just retire to a different jam jar...
Brand new brushes for Morocco! 
The other indulgence that you see here are a couple of tubes of paint I wouldn't usually buy as they're series 7 and retail at £27.50 a tube. I also thought they may come in handy in Morocco... cobalt blue deep and cobalt turquoise. Plus they are just heart-breakingly beautiful. 
Of course I run the risk that I might permanently add them to my palette and I'll be paying for them next time!  


Tomorrow I'm going over to the 'Spotted Dog' art group near Nottingham, to tutor a workshop in 'finding your style'. Hopefully everyone will take home lots of ideas to help them progress with their work.

Tuesday, February 26, 2013

Venice exhibition

Caffè Florian 15" x 19" £495

Pink sky over piazzetta 15" x 19" £495

Santa Maria Formosa 15" x 19" £495

Gondolas on the grand canal 17" x 17" £495

Although I haven't been posting much lately, I have been busy! I've hand painted and finished all these frames above because the paintings are going to take part in an exhibition at the Mine gallery, Carshalton in the London borough of Sutton. The exhibition is on for the whole month of March and I know it's going to be a fantastic show with work by Wapping group members Derek Daniells, Michael Richardson, Karl Terry and John Stillman and other great UK plein air painters such as Valerie Pirlot, Roy Connelly, David Bachman, Tim King... I'm sure there are many more but they are the names that spring to mind!

We all love to paint in Venice you see! It's going to be beautiful work, I promise you won't be disappointed if you can visit.
You might be hard pressed to leave without buying a painting though!

I decided to drive down with my paintings, it should have taken three hours each way according to my sat nav. Actually with roadworks and delays it took me about four and a half hours to get there and then I had to turn around and drive straight back - another four hours! It made me think of my friend Lori Putnam in the US who has just driven eleven hours to paint snow - the things we do! Mind you, Lori was with friends so I'm sure that journey was lots of fun ;-)

Information about the gallery can be found here!

Tomorrow I'm teaching a 'painting cats in acrylics' workshop at Fulbeck, starring my gorgeous ginger and white Charlie (although he won't be there in person!). There are still spaces on several of my day workshops this year, you can see which ones by looking at my website www.haideejo.com


IMPRESSIONS OF VENICE








Sunday, February 24, 2013

Santa Maria Formosa

Santa Maria Formosa
framed size 15" x 19" £495

I remember painting this in Venice on a misty and cold afternoon. I wasn't too sure how it was going, as is often the way! I knew I didn't want to put too much detail into the church, in fact I couldn't see much detail because every so often the fog would thicken up making it difficult to see anything at all!
I was attracted to the characterful leaning of the church buildings - I'm pretty sure they were leaning, or maybe I was leaning? Anyway, there was a little bit of life in the square with people passing through in dribs and drabs. And I liked the small touch of colour which was a stall selling glass lanterns.
You know that I don't like to touch a plein air painting afterwards but sometimes needs must. In this case I had a tiny adjustment to make. The young couple on the left shared a very brief kiss which I didn't quite manage to catch at the time. I was determined to remember it for later though as the action seemed to lend a story to the whole scene.

This is the painting as I left the site, with sort of half a girl!


I couldn't really leave her headless, she was too large in the painting to not have a head! 
So I remembered the kiss and brought the pair closer together...



There now, that's better for the lovestruck couple! If you look carefully you can see that her previous body has now become a bit of background interest. I touched nothing else in the painting, for I fear I would lose the freshness. I love the sketchy marks and thin dribbles of paint coupled with larger simplified shapes that make up this piece. And the green greys. Plus a little extra warmth in places. And those lanterns. Sorry, I'm rambling now...
 

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